Fall 2024

Course System Home Course Listing Fall 2024

Select Filters and then click Apply to load new results

Areas of Study
Course Day & Time(s)
Course Level
Credits
Course Duration
Showing 25 Results of 338

Indigenous languages of the Americas — LIN2110.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course provides an introduction to the Indigenous languages of the Americas, examining the rich linguistic diversity, structural features, and cultural contexts in which they are embedded. We will consider both Indigenous perspectives on what language is, the relationships it entails, and appropriate contexts for use as well as western perspectives on linguistic structure,

Individualized Lab — DAN5403B.01

Instructor: Carly Rudzinski
Days & Time:
Credits:
This course allows students to self-design course work by combining topics and approaches from the Practice LABs and the Study LABs to meet required hours. The LABS take the form of a series of workshops, and include both lecture/discussion and studio formats. Credits to be determined between faculty and students.

Individualized Practice — DAN5400B.02, section 2

Instructor: Carly Rudzinski
Days & Time:
Credits:
Through mentor approved independent work, students develop and schedule their own weekly creative practices using student-initiated resources and/or classes. Requirements include meeting with practice mentors for scheduled one-on-ones, creating an archive of the experiences, and locating innovative ways to share both resources and experiences of the term with classmates at the

Individualized Practice — DAN5400B.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits:
Through mentor approved independent work, students develop and schedule their own weekly creative practices using student-initiated resources and/or classes. Requirements include meeting with practice mentors for scheduled one-on-ones, creating an archive of the experiences, and locating innovative ways to share both resources and experiences of the term with classmates at the

Insider Perspectives on the Francophone World I — FRE2103.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 5
Viewed from the outside, the French-speaking world offers enticing images of beauty, pleasure, and freedom. From the inside, however, it is a complicated, often contradictory world where implicit codes and values shape the most basic aspects of daily life. This course will give you an insider's perspective on a cultural and communicative system whose ideas, customs, and belief

Intermediate Drum Set (Fundamentals) — MIN4023.01) (cancelled 5/8/2024

Instructor: Michael Wimberly
Days & Time:
Credits: 2
This course is for students who have experience in playing drum set. In this 7 week class, students will fine-tune their stick control, hi-hat, cymbal, and bass drum technique, grooves, and drum fills. Listening, viewing, and reviewing drummers who have contributed to the innovation of the art of the drum set is a weekly part of our class discussion. We will use 2 drum sets in

Intermediate Guitar — MIN4025.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.

Intermediate Guitar — MIN4025.02, section 2

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.

Intermediate Painting: From Practice to Discovery — PAI4405.01

Instructor: J Blackwell
Days & Time:
Credits: 4
This course is intended for the student who is looking specifically to build a robust studio practice as well as the capacity to work independently on self-directed projects.. Experimenting with materials, techniques, and styles in painting will be encouraged in order to develop an artistic sensibility while instituting regular work habits. Assigned projects and independent

Intermediate Video: Place and Modes of Presentation — FV4244.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
Intermediate Video builds on the concepts and technical skills introduced in Intro to Video, and has a different theme each term. During this semester of Intermediate Video we will focus on the thematic of place and consider various modes of presenting moving image work. How do we engage with and portray the ethos of a place? Is a landscape merely pastoral? What does the

Intermediate Voice — MVO4301.01, section 1

Instructor: Virginia Kelsey
Days & Time:
Credits: 2
For students of varying levels of singing ability. Vocal production and physiology will be discussed. Group warm-ups and vocalizations will incorporate exercises to develop breath control, resonance, projection, range, color, and agility. The fundamental concepts of singing will be explored in the preparation of specific song assignments. Personalization of text and emotional

Intermediate Voice — MVO4301.02, section 2

Instructor: Virginia Kelsey
Days & Time:
Credits: 2
For students of varying levels of singing ability. Vocal production and physiology will be discussed. Group warm-ups and vocalizations will incorporate exercises to develop breath control, resonance, projection, range, color, and agility. The fundamental concepts of singing will be explored in the preparation of specific song assignments. Personalization of text and emotional

Interview Etiquette for Technology Pathway — CS4390.01) (cancelled 5/10/2024

Instructor: Meltem Ballan
Days & Time:
Credits: 2
This course is designed to equip students with the essential skills and knowledge needed to excel in interviews within the technology industry. Through a combination of theoretical understanding, practical exercises, and mock interviews, students will learn the intricacies of behavioral, technical, and case study interviews. The course will focus on developing effective

Intro to Afropessimism — LIT2547.01

Instructor: An Duplan
Days & Time:
Credits: 4
Afropessimists believe our world is basically hopeless. White supremacy is written into every layer of life, an escapable aspect of the modern condition. This hopelessness, though, is just the beginning for the Afropessimist, who nonetheless plots out a radical course forward–– Could pessimism be the real path to freedom? Through a deep reading of Frank B. Wilderson III,

Intro to Max — MCO2116.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
This course will look at the versatile program of Max/MSP/Jitter, a high-level programming platform for sound and visuals. Our focus will be on the sonic capabilities of the program, though we will dip occasionally into visuals, video, and sensing technologies. Students will develop research and projects based on their interests and abilities, and must have an independent

Intro to Melodic Musicianship — MVO2303.01

Instructor: Virginia Kelsey
Days & Time:
Credits: 2
This is a beginning musicianship course for students who wish to develop sight-singing skills in standard Western music notation as it pertains to the interpretation and performance of melodic music. This class is intended to serve singers who desire to be able to learn songs from sheet music (which will help prepare students for the more advanced 4000-level voice classes at

Intro to Metalshop — SCU2308.01

Instructor: Olivia Saporito 
Days & Time:
Credits: 2
In Intro to Metal Shop, you will learn metal is one of the most exciting, malleable and strong materials to work with in sculpture. In this course, you will be introduced to the ins and outs of the ¿­ÐýÃŹÙÍø metal shop. Whether you are a seasoned sculpture student, or have always wanted to learn how to weld, this course is a great way to be introduced to the fundamentals of

Intro to Modular Synths — MCO2247.01

Instructor: Sergei Tcherepnin
Days & Time:
Credits: 2
This class will focus on historical methods of electronic music composition through a contemporary lens. We will study synthesis in depth, and the development of early analog synthesizers, while learning how these techniques have influenced contemporary software design. While the class will focus on composing, students will be expected to learn how to use VCV Rack, and Madrona

Introduction to 16mm — FV2312.01

Instructor: John Crowe
Days & Time:
Credits: 2
An introduction to 16mm film techniques, students will shoot and edit analog 16mm film, develop by hand and finally will transfer film to video. Through readings, screenings, experiments and hands-on workshops students will learn about cinematography and the photochemical process. Taking advantage of the special tactile, tangible nature of analog film, material properties will

Introduction to Computer Science 1: Programming and Computer Science — CS2139.01

Instructor: Darcy Otto
Days & Time:
Credits: 4
Have you ever imagined speaking in the language of computers, and transforming your ideas into actions that computers can perform? This course is a gateway to discovering the art and science of programming, a crucial skill that serves as the backbone of computer science. But computer science transcends mere programming. Our actual aim is to nurture your ability to think like a

Introduction to International Law — APA2020.03

Instructor: Andy Galindo
Days & Time:
Credits: 1
This is an introductory course to international public law and its relevance in today’s complex and interconnected world. International law can be considered as the law governing the relations between States, but it also includes relations with international organizations, corporations, and civil society organizations. It is also the foundation for International Human Rights

Introduction To Quantitative Reasoning and Modeling — MAT2102.01) (cancelled 8/27/2024

Instructor: Katie Montovan
Days & Time:
Credits: 4
This foundational class covers modes of reasoning used in quantitative sciences and mathematics. While learning the art of mathematical modeling, i.e. translating the physical systems/real-life situations into mathematics, we will apply problem solving and practice effective communication of mathematics. This process involves isolating the essential variables and interactions,

Introduction to Relief Printing — PRI2105.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course will introduce students to relief printmaking, including the process of carving and printing woodcuts, wood engravings, linoleum cuts, and eraser prints. Students will learn through technical demonstrations, hands-on experience, and discussions. With this direct process of image making, we will explore one-color impressions, as well as multicolor-reduction printing.

Introduction to Restorative Justice — APA2355.02

Instructor: Alisa Del Tufo
Days & Time:
Credits: 1
Restorative Justice is a set of values and practices that are having a considerable impact on the way our justice system, schools, workplaces, conflict zones and communities think about and enact justice. Restorative Justice asks: What if harm doers were given the opportunity to take responsibility and make amends? If survivors were able to be