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Term
Time & Day Offered
Level
Credits
Course Duration

The Digital Photo Book — PHO4130.01

Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
From photography's inception, photo books have been critical to the medium and have provided a way to understand our culture's use of images. In 1844 William Henry Fox Talbot utilized the book form with the first lens-based book, 'The Pencil of Nature'. In this course, students will explore the photo-based artist book as a vehicle for self-expression. A a variety of approaches

The Don Juan Project — DRA4146.01

Instructor: Jean Randich; Thomas Bogdan
Credits: 4
Seducer.  Atheist.  Rebel.  Scoundrel.  Hypocrite.  Don Juan, the most unrepentant libertine in all of literature, has dazzled and provoked for centuries.  This project interlaces two masterpieces: Moliere鈥檚 Don Juan, or the Feast of Stone (1682), with selections from Mozart鈥檚 opera, Don Giovanni (1787).  Don Juan鈥檚 furious drive to satisfy

The Drama-Free Workshop — DRA4123.01

Instructor:
Credits: 2
This class will concentrate on confidence building for actors/performers or anyone tired of letting a smartphone dictate their feelings of success. Goals will include cultivating positivity and confidence around performing. We will explore as a group how criticism is the enemy of creativity. The goal for this class is that students gain confidence through games and exercises

The Drama-Free Workshop — DRA4123.02

Instructor: Carly Rudzinski
Credits: 2
This class will concentrate on confidence building for actors/performers or anyone tired of letting a smartphone dictate their feelings of success. Goals will include cultivating positivity and confidence around performing. We will explore as a group how criticism is the enemy of creativity. The goal for this class is that students gain confidence through games and exercises

The Dual Narrative and the Arab-Israeli Conflict — MED4206.01

Instructor: Michael Cohen
Days & Time: TBA
Credits: 4
This course will look at one of the longest protracted conflicts in the world today. A complex conflict with many components this course will use the dual narrative approach to gain a deeper understanding of this century old war. Historical events and documents will be examined through the prism of the dual narrative. The dual narrative approach to the Arab-Israeli Conflict was

The Dustbin of History — HIS4407.01

Instructor: Eileen Scully
Credits: 4
Let us consider Russian revolutionary Leon Trotsky's October 1917 curse upon moderate socialists resisting the ongoing Bolshevik coup d'etat: "You are pitiful, isolated individuals. You are bankrupts. Your role is played out. Go where you belong from now on鈥攊nto the dustbin of history!鈥 In this course, we find our own way into the "dustbin of history" in search of things--ideas

The Eclipse! — PHY2279.02) (day/time updated as of 10/13/2023

Instructor: Hugh Crowl
Credits: 1
On April 8, 2024, the second total solar eclipse in seven years will cross North America, starting in northwest Mexico, crossing west Texas, large parts of the midwest, and the northern reaches of New York, before skimming the most northern reaches of Vermont and exiting the continent through the Canadian maritimes. In this course, we will learn about the orbital mechanics of a

The Economic Mind — PEC2207.01

Instructor: Lopamudra Banerjee
Credits: 4
A set of questions keeps on bugging the economic mind. They run from the smallest immediate ones, such as, do I buy this salad or that sandwich for my lunch today, to the more solemn ones, such as, do I accept this job or the other one? Other profound questions arise as well. Why does the economy not grow continually over time, but rather, economic upsurges are marred by

The Economics of Our Time — PEC2283.01

Instructor: Lopamudra Banerjee
Days & Time: TU 2:10pm-4:00pm
Credits: 2

In this seminar, we will dive into the complexities of today鈥檚 global economy, engaging with the most pressing economic challenges of our time. We will explore how economic policies, geopolitical dynamics, and global trends intersect, shaping the economic landscape. Through real-time data, contemporary research, and

The Ecstasy of Influence: Style in Fiction — LIT4124.01

Instructor: Kathleen Alcott
Credits: 4
鈥淣othing is inherently interesting,鈥 wrote John Gardner, discoursing on the crucial center of any fictive work: style. When it comes to writing short fiction and novels, the ideas we鈥檝e absorbed about narrativizing from our outside lives often don鈥檛 apply. Even the most thrilling story, if written without a reverence to form, loses its audience quickly. In this seminar on

The Emerson Problem: American Transcendentalism, Then and Now — LIT2546.01) (cancelled 10/8/2024

Instructor: Ben Anastas
Credits: 4
A comprehensive survey of American Transcendentalism through the writing of its major figures (Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller) as well as more overshadowed club members like Orestes Brown, Bronson Alcott and Ellery Channing. We will explore the debates the movement set off among thinkers of the 19th Century, especially concerning slavery, Abolitionism

The Essay Film — FV4319.01

Instructor: Erika Mijlin
Credits: 2
An intermediate 7-week production course. Students will enter with a concept for a project ready to begin producing, and to complete by the end of the course.  The essay film has a long tradition as a film form - often departing stylistically from the social issue concerns often associated with documentary film, the essay film is a focused meditation around a theme. It may

The Ethnography of Things — ANT4108.01

Instructor: Noah Coburn
Credits: 4
***Title change from The Anthropology of Things Time change*** Most ethnographic studies begin by focusing on a group of people. This course asks what the implications are of reversing such an approach and beginning with a specific thing. In what ways do things create culture? By carefully analyzing a series of classic and more current ethnographies, students will look at the

The Experimental Narrative — FV4229.01

Instructor: warren cockerham
Days & Time: TBA
Credits: 4
This intermediate visual arts studio course will explore the hybrid approach of experimental film practice and moving-image story telling. The course's focus will be on cinematic language, visual storytelling, and audio-visual correspondence rather than performance and dialogue centered narrative. Students will utilize classical and non-traditional methods of pre-production

The F-Word: Confronting Fascism in a World on Fire — POL4259.01

Instructor: John Hultgren
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

In the United States, recent years have witnessed an upsurge in right-wing organizing and violence, culminating in the 2021 insurrection at the United States Capitol that sought to overturn the legitimate results of a democratic election. This is not a uniquely American problem. Across much of the globe, political parties organized around hyper

The F-Word: Confronting Fascism in a World on Fire — POL4259.01

Instructor: John Hultgren
Credits: 4
In the United States, recent years have witnessed an upsurge in right-wing organizing and violence, culminating in the 2021 insurrection at the United States Capitol that sought to overturn the legitimate results of a democratic election. This is not a uniquely American problem. Across much of the globe, political parties organized around hyper-nationalism have gained steam, in

The F-Word: Confronting Fascism in the Wake of an Insurrection — POP2280.01

Instructor: Carly Rudzinski
Credits: 1
In the United States, recent months have witnessed an upsurge in right-wing organizing and violence, culminating in an insurrection at the United States Capitol that sought to overturn the legitimate results of a democratic election. This is not a uniquely American problem. Across much of the globe, political parties organized around hyper-nationalism have gained steam, in some

The Family Album: Reading and Writing the Short Story — LIT4188.01

Instructor: Stuart Nadler
Credits: 4
The poet Czes艂aw Mi艂osz said once that 鈥渨hen a writer is born into a family, the family is finished.鈥 This idea of the writer鈥檚 position amid the family has always mirrored the writer鈥檚 position in society, existing both within it and outside of it at the same time. In this class, we will interrogate the family narrative as a particular idea and obsession of the American short

The Faulkner Fan Club — LIT2408.01) (cancelled 1/5/2023

Instructor: Manuel Gonzales
Credits: 4
You sent in your application weeks ago and now you've finally gotten your swag: your Faulkner patch, your Faulkner commemorative button, the coffee mug with Faulkner's pen and ink drawn face on it, and your special edition copy of Absalom! Absalom!, and maybe now you're wondering, Well, who else is in this club? Wonder no more. In this class, we'll be reading not Faulkner but

The Female Grotesque — LIT4391.01

Instructor: Camille Guthrie
Credits: 4
In this class, we will read prose that engages with the Female Grotesque, a subgenre of the Gothic and Grotesque in literature, art, and performance. Readers of the Female Grotesque may experience repulsion and fascination, as the genre reveals how women have been traditionally represented as both abject and ideal. Our focus will be on fiction: novels and short stories. (I

The Ferguson Report: A Living Document — MOD2152.04

Instructor: Crina Archer; Erika Mijlin
Credits: 1
In August of 2014, a police officer shot and killed Michael Brown, an unarmed, 18-year-old black man, in Ferguson, Missouri. According to a recent study, Brown's race rendered him 21 times more likely to be killed by a police officer's bullet than had he been a young, white man. Broad public criticism of the shooting and of a grand jury's failure to indict the officer

The Field Recorder and the Plein Air Musician — MCO4398.01

Instructor: Carly Rudzinski
Credits: 2
A field recorder is a novel invention that suggests a relationship towards travel, motion and the capturing of fleeting events or ideas outside of the traditional studio and in the 鈥渇ield鈥. What do we call this plein air musician, who might they be? If the Impressionist painter chased the light outdoors, what does the plein air musician chase? This class explores how we can