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A History of Economic Thought — PEC2268.01
A History of Mathematics — MAT2403.01
A Material World — SCU2113.01
A Material World — SCU2113.01
A Philosophy of Data — DA2132.01
A Play Takes Place in the Audience — DRA4133.01
A Play Takes Place in the Audience — DRA4133.01
A Survey of Avant-Garde Exhibitions — VA2109.01
A Survey of Avant-Garde Exhibitions — VA2109.01
A Voice from a Wound: Trauma and Memory in Hispanophone Literature — SPA4802.01
a “Dressing” the Revolution — DES4106.01
research to design to construction
“Clothes aren't going to change the world. The women who wear them will.” – Anne Klein
Clothing has inspired and codified the spirit of
about the membrane — SCU2216.01
This course focuses on the additive construction methods essential to contemporary sculpture. Students will embark on independent projects that hone their skills in constructing armatures and exploring innovative skinning techniques. Throughout the term, participants will learn to build and manipulate forms using primarily additive processes,
Ź Time — MCO4109.01
In this course, students will work on an extended piece (10+ minutes), as well as a suite of miniatures (< 30 seconds). By playing with scale and continuity, students will be challenged to find their own way to extend their ideas while enriching their own musical language. Students can propose a piece in any style or forces, and we will work together to
Ź Time — MCO4109.01
Absolutism and Its Discontents — FRE4803.01
Absolutism and its Discontents — FRE4715.01
Abstract Algebra — MAT4223.01) (cancelled 10/11/2023
Abstract Algebra — MAT4144.01
Abstract Algebra and Number Theory — MAT4343.01
Access is a Practice: Dance and Disability Studies — DAN4373.01
Accessibility describes the practice of freeing a space or an event so it might be visited by more people in more ways than one could ever presume at the outset. In this course, we will explore the litany of practices that allow more people (and in particular, disabled, mad, and chronically ill people) into all spheres of public life with a particular focus on performance
Accidents, Glitches and Errors/From Content to Form — DAN2360.01
Acoustic/Electronic — MCO4128.01
Acting Ensemble: TBA — DRA4395.01
The Polish theater director Jerzy Grotowski defined his theory of “poor theatre” as the theatre that values the body of the actor and its relation with the spectator. Poor Theatre used the simplest of sets, costumes,lighting and props requiring the actors to employ all of their skills to transform a space into other imaginative worlds.
In this course, we will