Search Results

Visual Arts Lecture Seminar — VA4218.01

Instructor: Vanessa Lyon
Days & Time: TU 4:10pm-6:00pm
Credits: 2

This discussion-animated, readings-based seminar provides art historical, cultural, and critical contexts for the Visual Arts Lecture Series (VALS). In addition to our ongoing interrogation of the public lecture as such, students present their own work (in any field) and analyze the technical and stylistic aspects of structuring an effective and engaging 鈥榯alk.鈥 The course provides unique opportunities for interaction with visiting artists, curators, critics, and historians.

Chromophilia: Investigations in Color — VA4409.01

Instructor: Ann Pibal
Days & Time: MO 1:40pm-5:20pm
Credits: 4

Chromophilia, refers to intense passion and love for color. What is it about color that has the power to induce reverie, and conversely to manipulate, or disgust? How does color work? What is the role of color in visual art? In language? How do we understand and respond to color from phenomenological, poetic, philosophical, and societal vantage points? How as artists can we become effective stewards of our passionately-loved and yet ever-shifting chroma?

Muriel Spark and the Vanishing Novel — LIT4534.01

Instructor: Ben Anastas
Days & Time: TU 4:10pm-6:00pm
Credits: 2

Muriel Spark, beginning in the late 1950s, produced a string of fiercely ambitious and savagely witty novels that harnessed the experimental power of the French nouveau roman and skewered the pieties of life in the postwar period of the 20th century.

The Poetics of Protest — LIT4612.01

Instructor: Franny Choi
Days & Time: MO 1:40pm-5:20pm
Credits: 4

Since the killing of poet Refaat Alareer by Israeli forces in December of 2023, his now-famous poem 鈥淚f I Must Die鈥 has been read aloud at rallies and teach-ins, shared widely on social media, and written on countless picket signs. What makes a bit of language sticky and alive enough to mobilize people to take political action? What role has poetry played in liberation movements throughout history? And what might happen if we thought about the slogans that have animated social movements (e.g., 鈥淏lack is beautiful,鈥 鈥淣othing about us without us鈥) through the lens of poetry?

Piano Lab: Chords to Sing By — MIN2360.01

Instructor: Chris Rose
Days & Time: TU 4:10pm-6:00pm
Credits: 2

Learn how to find and play piano chords to your favorite songs. Learn about major and minor chords, seventh chords, common chord progressions, harmonic rhythm, and how to accompany yourself while you sing. This class will focus on how to interpret chord symbols from lead sheets and chord charts and will not focus on reading sheet music. Songs will be a combination of selections made by the instructor and selections chosen by the students.

Drawing Excess: the Gesamtkunstwerk — DRW4407.01

Instructor: J Blackwell
Days & Time: MO 1:40pm-5:20pm
Credits: 4

The German term Gesamtkunstwerk roughly translates as a 鈥渢otal work of art鈥 and refers to an artistic endeavor wherein various art forms are melded together to form a unified whole. Through the amalgamation of art, craft, music, and performance, Gesamtkunstwerk evokes a realm distinct from our everyday experience.

Space Shaping Image Making II: Readings — ARC4119.01

Instructor: Farhad Mirza
Days & Time: TU 4:10pm-6:00pm
Credits: 2

鈥淣ot long ago, a near prerequisite for vanguard architecture was an engagement with theory; lately it has become an acquaintance with art鈥 or so observed Hal Foster in his 2011 book 鈥楾he Art Architecture Complex.鈥 While ideas about what constitutes cutting edge architecture may have transformed in the decade since, entanglements between art and architecture and the reciprocal effects that they have on each other remain central to architectural discourse.