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In this course we will examine the role of music as a vehicle for political and social change in Africa. Our focus will be music-making throughout the continent of Africa during the nationalist struggles that resulted in independent African states and how musicians responded (and continue to respond) to the persistent challenges faced by those post-colonial states.
鈥淢usic is something that you can鈥檛 see, and painting is something that you can鈥檛 hear...so they balance each other鈥.鈥 (1)
This singing ensemble is dedicated to the performance of African American spirituals, gospel music, protest songs, and South African songs as understood in their historical, spiritual, and social contexts. Messages of hope, faith, healing, of striving for justice and peace and of celebrating life will be the focuses for this singing experience. The course will culminate in a program on campus where we will share from the music we鈥檝e learned. There may be opportunity for a field trip to sing with a neighboring college choir or sing at a local church.